![]() ![]() The first order of business is choosing the right spot. ![]() Additionally, the walls of the studio should be slightly askew in order to prevent dreaded bouncing soundwaves – which, if you’re a novice builder like me, should be no problem at all (I still can’t erect a perfectly straight wall if I tried). First, a purpose-built studio should ideally be a room within a room – that is, no part of the room should come in direct contact with the main structure of the building. Easier Than It Seemsįirst of all, there’s really nothing all that fancy about studio construction – basic materials consist mainly of lumber, drywall and sound-insulating board, making it a relatively affordable proposition, assuming you can handle most of the labor on a DIY basis.īefore you start sawing away, there are a few key rules of thumb to follow. That ability to tweak after the fact should give encouragement to anyone who aspires to create their own private recording empire. ![]() Most of all, I’ve learned that home studio construction is essentially a work in progress-that is, through continual use I’ve been able to address many of the acoustical miscues I’d made during the initial building phase. Since that time I’ve added a second, larger recording room, a live reverberation chamber as well as various other augmentations. Over a decade ago in the pages of MusicWorld, I shared my experiences building a basic soundproofed recording space with attached control room. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |